Where does figuration end and abstraction begin?
This 10-week Abstract Painting course explores the dynamic relationship between observation, representation and abstraction. Rather than treating figurative and abstract painting as separate disciplines, the course examines how each can inform and transform the other.
Through drawing, painting, collage, colour and direct observation, you’ll use the human figure, still life and natural forms as starting points for experimentation. You’ll explore how recognisable subjects can be simplified, distorted and reimagined through colour, composition, scale, figure and space, surface, texture and paint application.
Drawing remains central throughout the course as a practical tool for observation, experimentation and developing ideas. You’ll also work from memory and imagination, allowing your experiences and interests to shape your work and help you develop a personal visual language.
Structured Exploration and Individual Development
During the first five weeks, guided exercises introduce key approaches to figurative and abstract painting. You’ll experiment with colour theory and mixing, collage and intuitive processes, figure and space, larger-scale work, simplification and natural forms.
The second half of the course focuses on developing your own painting project. With individual tutor guidance, you’ll identify the ideas, visual themes and techniques you want to take further, gradually building a coherent body of work that reflects your interests and developing artistic direction.
Regular review, discussion and reflection will help you evaluate your work, explore new directions and make confident artistic decisions.
Each session also includes an introductory contextual talk and discussion exploring relevant historical and contemporary artists. References may include Henri Matisse, Milton Avery, Richard Diebenkorn, Ellsworth Kelly, Jade Fadojutimi, Pam Evelyn, Rachel Jones, Hurvin Anderson and Christina Quarles.
Who Is This Course For?
This course is suitable for anyone interested in figurative and abstract painting, from those with relatively little experience to practising artists wishing to expand an established painting practice.
It is particularly suited to people who want to experiment with different materials and approaches, challenge the boundaries between representation and abstraction, and deepen their understanding of colour, composition, form and materiality.
The supportive studio environment allows participants at different stages of their development to experiment, receive individual guidance and find their own direction.
What You’ll Take Away
By the end of the course, you will have:
- Explored the relationship between figurative and abstract painting
- Experimented with drawing, painting, collage and different creative processes
- Developed your understanding of colour theory, mixing and colour relationships
- Worked from direct observation, memory and imagination
- Explored composition, scale, surface, texture and materiality
- Gained insight into historical and contemporary painting practices
- Built confidence in experimentation and independent artistic decision-making
- Developed an individual painting project and a more personal visual language
- Produced a body of work reflecting your interests and artistic development
Selected work may also be considered for presentation in an end-of-course Open Studio Exhibition.
View the complete 10-week course programme (pdf)
