It’s week 8 and the children have been experimenting with gelli plate printing. Gelli plates are a flexible printing plate that you can use acrylic paint with to create amazing textures and layers of colour. The kids used a wide range of different methods – including adding on paint, taking paint off, masking areas/letters off, adding textured objects and layering colours – to name just a few! The process is very quick so they all produced loads of pieces (and being acrylic they…
So this week I let the kids go wild with cardboard, glue and other assorted packaging! We first found a few basic ways of making the cardboard go high but stable (such as slits, flanges, stacks and bookends). And then the children went crazy with their sculptures and even inventions – see the happiness machine!
Now we have completed Mona Brookes’ drawing exercises (although of course everyone’s drawing will benefit from practicing them regularly!) we are moving onto working with much greater freedom and preparing for the end of term exhibition. So week 7 was all about painting but there was only one rule – no paintbrushes! Instead we had all manner of implements, many originally designed for cleaning! Including: scrapers, toothbrushes, combs, scourers, sponges, squeegees… The children were very inventive in their creations!
This week we tackled on of the tings people find hardest to draw – hands. But I had a trick to help – tracing our hand on a plastic viewfinder with a grid, and then using that to transpose the tracing onto a drawing. The principle is the same as in past weeks – break down what you are drawing into the basic lines and shapes, so you brain sees the lines not the complicated object. Easier said than done of course, but…
This week we tackled drawing upside down. The idea here is to try and disengage the thinking side of your brain and engage the visual. Often when we look we are scanning to take in everything that is there, recognising, categorising and interpreting it all. When it comes to drawing this doesn’t always help us because we are not looking at exactly what is there, we are trying to think about what is there. When we turn what we are trying to draw…
Coming soon
