Drawing-Led Experimental Printmaking Taster Session
A one-off taster session designed to help you decide if our Drawing into Printmaking course is right for you.
£43
Autumn Term – Taster Classes
Bookings are now open for taster classes starting on 30 September 2026.
Class Overview
- Join a one-off Drawing Into Printmaking taster session and experience the practical, experimental approach used in the full 10-week course.
- Suitable for beginners and intermediate students, the session explores how drawing can be developed through printmaking, with an introduction to techniques and processes used within the ongoing class.
- Through practical studio work, you’ll explore the relationship between drawing, mark-making and print while experiencing the tutor’s teaching approach before deciding whether to join the full course.
- The class uses non-toxic printmaking techniques and materials wherever possible and takes place at our North London studio, close to Crouch End, Finsbury Park, Archway and Highgate.
Day / Time
Taster sessions run alongside regular classes.
Wednesdays 18.30 – 21.30
Tutor
Frederic
For any information regarding the course, please get in touch with him at:
mobile: 07588 407265
Booking Details
£43 per 3-hour session
Book your taster session, then contact the tutor to confirm your date (subject to availability).
A date must be arranged with the tutor within 10 weeks of purchase. Taster classes are available only during the first two weeks of each term and are subject to availability. If no date is arranged, the booking expires and becomes non-refundable. See our full Booking, Cancellation & Refund Policy
Book Drawing into Printmaking Taster Class
Drawing into Printmaking – Taster Session
£43.00
Class Description
Discover how drawing can become part of the printmaking process in this practical Drawing Into Printmaking taster session.
You’ll join an ongoing class and experience the drawing-led, experimental approach used throughout the full 10-week programme. Drawing provides the starting point for exploring how line, mark, tone, texture and composition can change when translated into print.
Depending on the stage of the course when you attend, you may experience techniques or processes connected with monoprint, drypoint, relief printing or linocut, as well as approaches to layering, repetition, positive and negative space and image development.
The emphasis is on experimentation and understanding the creative process rather than producing a technically perfect print. You’ll receive tutor guidance while gaining a genuine introduction to how drawing and printmaking are combined within the course.
The class uses water-based and other non-toxic materials wherever possible, and all necessary materials for the taster session are provided.
If you decide to continue, you’re welcome to enrol on the full 10-week Drawing Into Printmaking course, subject to availability.
Complimentary refreshments are provided, including coffee, a range of teas, and biscuits.