This week we tackled glazing and blending in acrylic. Instead of a still life, I suggested splitting up the paper into sections with masking tape in order for each box to be a different experiment. We used soft brushes in order to get a softer effect than is possible with the stiffer ones, and diluted the paint with water in order to build up translucent layers. It’s a great technique for making abstract patterns – I could imagine many of the results as…
So again this week we were painting without brushes, this time with sponge brushes – actually pieces of foam stuck on a stick. We looked at the work of Howard Hodgkin for inspiration, as his broad brush strokes with multiple colours on them are exactly the effects that sponge brushes can do so easily. It’s particularly exciting when the colours mix on the sponge, and when you twist and twirl the brush. This is another technique in which giving yourself less control –…
This term we are going back to basics and focusing on different painting or drawing tools. And this week it’s back to basics with our subject matter – classical sculptures. We have a few plaster casts in the studio, and I printed out some pictures of Greek and Roman statues to choose from. Taking inspiration from this Access Art session, I introduced the use of pen and ink – in which we find the shadows using a soft brush and coloured ink, using…
This week I asked the kids to make book covers. What book was up to them, and what age. I showed them some examples, and we talked about what makes a good cover, how you need to match the font to the style and content of the book, how book covers indicate for what age they are meant etc. And then of course, some weren’t satisfied with just a cover and made a whole book! Some of our older children wanted instead to…
This week I took inspiration from a painting by my grandmother, who was also an artist. She often worked with text, and in this painting she painted her letters in transparent layers so that the colours change when they overlap. The kids used coloured acetate to create a similar effect and, understandably for some, the technique suggested pictures or patterns rather than text.
Continuing our theme of text, this time we used text (in the form of newspapers) for its different tonal values. Different sized text torn up will create different tonal shades – dark to light – and with that you have you palette and can create anything.Some also couldn’t resist adding a bit of colour from the newspapers! I assembled a group of fairly simple fruit, veg and white porcelain cups. As a warm up activity, we did ink and charcoal drawings of the…
foThe last two weeks of term we managed to build and paint spectacular houses, as well as finish off the hats, the transfers and anything else left finsihed ready for the exhibition next week. The houses were made with cotton fabric stiffened with PVA, a technique learned from fabric artist Angie Hughe. This was done before the class and left to dry outside in the sun. The result was a fabric that behaved more like card, so it could hold its shape, particularly…
This week we got to try out some millinery – using vilene (stiffened fabric), metal hair bands and sinamay (the net stuff that milliners use). AS well as my box of random fabrics. We had a wide range of designs from the pre-existing such as (tiny) top hats, witches hat and beefeater hats to the completely new such as the drooping swan and the fire hat. The stapler was invaluable here as a quick and easy way to attach the fabric without waiting…
